Detritus
2024

Documentary Photography, Forensic Observation, Urban Infrastructure

Quis custodiet ipsos custodes? In the enduring forgotten margins, silence answers. Adopting forensic photography's dispassionate gaze, Detritus starkly autopsies neglected civic space. Grounded in Newman's Defensible Space Theory, it isolates architecture's dead-end corners. Across the monochromatic grid, a clinical taxonomy of abandonment emerges—where decay is accumulated exhaustion, not catastrophe.

Temporary fixes calcify into permanent fixtures; vacant thresholds become monuments to perpetual bureaucratic inertia. Beneath the cold fluorescent light, municipal order unspools. Warning signs guard empty chambers, yet accentuate their absent vigilance. Detritus exposes the raw nerve of public maintenance, revealing deeply unguarded margins as archives of collective innate neglect. Each secluded corner whispers not of the singular lapse, but profoundly systemic resignation—a final quiet testimony to spaces abandoned by the watchmen.


Love Death Peace
2024

Documentary Photography, Architectural Memory, Urbex

Memory bears witness to the Peace Centre’s slow dissolution. Love Death Peace confronts the abandoned interior at the precipice of demolition, using photography to arrest the monument against the relentless forward march of time. Within these corridors, scattered pages drift like fallen memories, while visceral, red-marker warnings and severed handprints scar the walls, invoking a spectral human presence left behind. Caution tape weaves through the wreckage, drawing a fragile boundary between the living witness and the disintegrating threshold. Figures wander quietly among the ruins, embodying the tense friction between human vitality and architectural stillness. In this stark juxtaposition, decay does not arrive as an adversary; it emerges as an inevitable, gentle companion to form. Each frame solemnly acknowledges the profound, fleeting transience of all that is built—and all that will be left behind.



E-temen an-ki
2024

Documentary Photography, Urban Ecology, Nature

An homage to the legendary Babylonian ziggurat—the Etemenanki, "house of the foundation of heaven and earth"—this series surveys the symbiotic entanglement of ecology and human construction. Indigenous flora thread through concrete seams; root and ruin silently intertwine. This union prefigures a landscape destined to reclaim the very ground from which its materials were wrenched—an ironic recursion, as nature quietly repossesses its stolen elements.

Yet unlike its ancient antecedent, which reached toward the divine, this contemporary ziggurat is propelled solely by self-serving ambition, pursuing private desire over spiritual elevation. Where the old myth punished hubris with the loss of language, a new penalty now looms: the loss of habitat. Across parched earth and overgrown margins, the fragile balance between progress and preservation tilts. And in the silent interstices of concrete and vine, the ground itself quietly prepares its inevitable reckoning.



Mistik
2023

Still Life Photography, Sufism, Malay Archipelago

mys·tic | ˈmistik | noun

  • A person who seeks unity with the divine through contemplation and self-surrender. A person who believes in the spiritual apprehension of truths beyond the intellect.

Mistik offers an evocative visual meditation on Islamic mysticism, attending to the particular spiritual vernacular of Sufism across the Malay Archipelago. Through the interplay of deep shadow and raking light, the series traces both the tangible and intangible dimensions of the Sufi path—a journey of self-annihilation, divine love, and gradual unveiling. Each meticulously arranged still-life functions as a microcosm of sacred symbolism and intimate practice. Scattered prayer beads, illuminated scripture, and weathered ritual objects rest upon richly patterned textiles, becoming thresholds where the material world falls silent before the ineffable. In this quiet interplay between darkness and illumination, matter itself gently surrenders, gesturing toward mystery.



Shadow & Sin
2023

Portrait Photography, Human Duality, Identity

Shadow & Sin is a stark, theatrical inquiry into the irreconcilable split between public facades and private turmoil. At its center stands a figure clad in a pink polo shirt—a quiet emblem of social conformity—ensconced within austere, light-scarred interiors.

Through the surgical manipulation of harsh luminescence and deep, enveloping shadow, the series lays bare the psychological chasm we erect between our curated selves and our unspoken complexities. Scattered, mundane objects—a discarded lighter, a pair of sunglasses—function as quiet, tangible metaphors for the fragments we silently harbor. Yet this is no mere portraiture of fracture; it is an invitation to pause and confront the discomfiting truth of our divided nature. By refusing to flinch from these obscured depths, Shadow & Sin implores us not to suppress our shadows, but to finally reconcile with them.

scroll to top